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Henrik Stigell’s paintings often give the impression of having stopped just short of completion. Edges dissolve. Forms hesitate. Certain passages appear interrupted, while others feel deliberately unresolved. This sense of incompletion is not incidental. It is central to how his work operates. Rather than pushing a painting toward resolution, Stigell frequently pulls back. He works through accumulation—adding layers, revising surfaces—but just as importantly, he edits. Paint is scraped away, ges…
続きを読む>>Henrik Stigell and the Discipline of Not Finishing
