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In Gloriforms, Nelly Naminasenko turns to angelology not as a theology of beings but as a speculative discipline—one that speaks from the edges of ontology, where the boundaries of what counts as “real” blur and futures appear as suspended possibilities rather than fulfilled promises. Her angels do not descend from heaven with certitude. They arrive instead as spectral figures of an interrupted providence, emissaries from a cosmological order that has long since faltered. The exhibition approac…
続きを読む>>Nelly Naminasenko at B25 Gallerie, Frankfurt Höchst
