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Names can haunt. In “Finbar,” Kerry Kenny channels a woman driven half-mad by repeating one, until it spills into drums, wild dancing, and ink scrawled only to be set alight. The Scranton, Pennsylvania singer-songwriter cracks open her forthcoming album Brutal Best with a single that doesn’t confess so much as combust—its imagery of effigies in flames, co-directed with Tom Robenolt of Point Five Films, searing itself into memory. “She’s not well,” Kenny says with a laugh, but the vision sticks. …
続きを読む>>Celtic Rocker Kerry Kenny Explains “Finbar”
